(previous)
These numbers don't come without a cost. Chemicals get into water supplies and into the air. The World Health Organization (WHO) found that every year 20,000 people die due to pesticide poisoning in the third world.
Once my future blue damask print is out of the soil and in adoring homes across the nation in the form of shirts, skirts and lovely name brand prints, it may not be there long. The the Environmental Protection Agency's (EPA) Office of Solid Waste found that each of us here in the US is responsible for 68 pounds of clothing and textile waste every year. That means at 27 even if I take away my first 10 years (such an unfashionable youth), I am still responsible for 1156 pounds of fibers in my local landfill.
As fabric admirers, we have options. Support organic. Only 0.03% of the world's cotton is organic but it will have less pesticides used on it during its rearing. Stores touting beautiful organic cottons are popping up all over the internet. Earlier this month one of my favorite design bloggers, Grace Bonney at Design*Sponge, highlighted Plover Organic, a company focusing on linens made with organic cotton. Companies such as Plover Organic are quickly creating amazing options for our homes and (with a little creativity- they have some fabrics by the yard) our craft closets.
An even better alternative is to recycle. Take a trip to your local Goodwill or second hand store. I was surprised to find that my Goodwill actually has a big section dedicated to fabrics. If yours doesn't have a fabric section, every shirt, skirt, bedspread and table cloth could be a future card, collage or assemblage piece. I always hesitate when I grab a lovely print cotton shirt for it's pattern because I think, "Someone might actually wear this and I'm going to CUT IT UP." It seems almost sacrilegious. But if it's the difference between that shirt and new fabric, cutting up an old shirt keeps 1/3 of a pound of pesticides out of everyone's air and water. I'm sure in light of that the would be wearer won't mind.
I love the inspiration that comes from browsing the bolts in a fabric store: so many possibilities. I'm not about to give up new, non-organic fabric completely, but I am going to change the way I look at fabric. I want my art to say something about me, and when I can, I want the products I use to make a similar statement.
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Images credits:
Cotton Plant
Plover Fabrics
Recycled Bedspread Napkins - Check out the other neat (and tasty) things at www.ohmindy.com
Tuesday, April 22, 2008
Thursday, April 3, 2008
Quiz: Toyota's Previous Life (continued)
B) Looms
Toyota began as Toyoda Automatic Loom Works, Ltd. by Sakichi Toyoda. His son, Kiichiro Toyoda would branch his father's company into today's Toyota Motor Corporation. In homage to their weaving beginnings, Toyota still has a museum with some of the first looms at its original site.
(source: "Handwoven," March/April 2008.)
Back to CraftAmor.
Toyota began as Toyoda Automatic Loom Works, Ltd. by Sakichi Toyoda. His son, Kiichiro Toyoda would branch his father's company into today's Toyota Motor Corporation. In homage to their weaving beginnings, Toyota still has a museum with some of the first looms at its original site.
(source: "Handwoven," March/April 2008.)
Back to CraftAmor.
Tuesday, April 1, 2008
Well Hello Lisa Engelbrecht (continued)
(previous page)
What I really enjoy about Lisa Engelbrecht's article is how she speaks about the emotional qualities that go into a piece. Yes she talks about the technical (color washes, letter and shapes, etc) but it's the paragraph titled, "Wordless Faith" that really captures my attention. Lisa writes, "Hope is also not a matter of words. Hope makes the impossible seem possible, I guess like wordless faith." A somewhat challenging and beautiful sentiment when accompanying a piece of art that is all about words.
It's fun to read Lisa's first hand account of her own process because after filming and then editing her DVD, "Hand lettering on Bali Lantern" I can see that process as I read her words. Lisa was a delight to film. She is really quiet funny and it was hard to not talk on set. She is a person you want to ask questions. You want to engage. I think this comes across equally as well in "Hand Lettering."
What I really enjoy about Lisa Engelbrecht's article is how she speaks about the emotional qualities that go into a piece. Yes she talks about the technical (color washes, letter and shapes, etc) but it's the paragraph titled, "Wordless Faith" that really captures my attention. Lisa writes, "Hope is also not a matter of words. Hope makes the impossible seem possible, I guess like wordless faith." A somewhat challenging and beautiful sentiment when accompanying a piece of art that is all about words.
It's fun to read Lisa's first hand account of her own process because after filming and then editing her DVD, "Hand lettering on Bali Lantern" I can see that process as I read her words. Lisa was a delight to film. She is really quiet funny and it was hard to not talk on set. She is a person you want to ask questions. You want to engage. I think this comes across equally as well in "Hand Lettering."
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